There's nothing in the world like your mom's cooking. Childhood memories of family gathered around the dinner table, everyone happy to be together — OK, that sounds more like an Andy Griffith episode. While it probably wasn't like that all the time, we all have our childhood favorites. Matty Matheson shows you how to make one of his, trout almondine with finger potatoes and green beans.
Intoxicating. Surprising. Controversial. These have all been used to describe the art of Jeff Koons. His work has had such an impact, the Museum of Contemporary Art held a gala to honor the artist, featuring this Scarlett Johansson-narrated documentary. With commentary from George Condo, Pharrell, Frank Gehry, Larry Gagosian, and Dakis Joannou., the eight-minute film takes a look back childhood and his early days as an artist, while also taking a closer look at what went into some of his most recognizable pieces.
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Developed for whisky drinkers that prefer a chilled dram, Norlan's Rauk tumbler takes its name from the old Scottish word for rock. The glass is made of crystal and precision modeled to touch down on four crystal points, making surface contact but providing the appearance that it's hovering. The Rauk also has extruded v-shaped markings inside that offer friction points for gripping slippery peels in cocktails before you muddle them back to life.
Presented by Norlan.
Neill Blomkamp has dropped the first film in his experimental sci-fi series Oats Studios. Starring Sigourney Weaver, the short takes place in a dystopian Texas in the not too distance future where lizard-like aliens have taken over Earth and our minds. If you like what you see, you can donate to the project and possibly help get these shorts made into feature films.
It's widely considered to be one of the worst films of all time. It's also become a strange phenomenon, inspiring public screenings complete with costumes, crowds shouting dialogue, and references to inside jokes in the film. If it's so bad, why do people love The Room? Vox asked author Tom Bissell what makes people so drawn to terrible movies, and what that indicates to others in our social lives.