Fury Road Practical Effects
Sometimes the only way to make a two-hour chase scene, in the desert, with massive rusted-out hulks trying to flip and blow each other up is to get all that out in the desert and film it. George Miller famously eschewed modern-day bandaids like green screens and computer-generated backgrounds in Mad Max: Fury Road, capturing nearly all the explosions, wrecks, and flaming guitars in real-time with a real camera. This supercut splices together pre-production test clips and footage from the actual film to remind you that if you want it look real, you better do it in real life.