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Redefining the Western

The irony of Sergio Leone's epic western The Good, the Bad, and the Ugly is that there aren't any good or bad — just ugly. Unlike the moral superiority of heroes in westerns of the 1950s, there is no clear line between the good guy or the bad guy — or even if either character types exist. This video essay digs into the violence and satire in Leone's classic film and how the film called into question the morality of "winning" the West.

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